![]() ![]() ![]() They change the color of an image by capturing the in-camera log color space or flat profile, and then converting that image to the color space of the designed LUT. So what is a LUT? Jay Friesen went in detail about LUTs in a previous post, but essentially Look Up Tables are mathematical calculations that make up the difference between the source and result. We found a few solutions to show you how you can. The Output Space selector lets you choose the proper color space for this LUT, in order to match your library and project settings.If you're using Apple's Final Cut Pro X (v 10.2.3) to edit, you've probably run across its built-in LUT (Look Up Table) and found the inability to add your own LUTs natively. The Mix slider controls the percentage of the LUT color that is being applied. Use the Input LUT pulldown to choose from previously used LUTs or import a new LUT from any connected hard drive. Once you select Use Input LUT for the color profile, additional controls appear. cube LUT format is supported and, when selected, controls the color management for that clip. Select Use Input LUT to import and apply any technical camera or creative LUT for your color profile. 709 100 nits would be the correct selection. 709 SDR timeline and viewing Final Cut’s output on a video monitor, Rec. The Output Space pulldown selects the target display device. The Input Space pulldown can be set to a specific camera brand’s logarithmic color science (if listed) or Generic if you don’t see a corresponding option. The ACES color space is larger than all other color spaces and requires an input setting (IDT - Input Device Transform) and target output setting (ODT - Output Device Transform). ACES (Academy Color Encoding System) is an open source color space being developed by a working group of the Academy of Motion Picture Arts and Sciences. Select Use ACES when you would like to use ACES color management on a clip. Do not use Assume Log if you have already applied a LUT in the inspector or as an effect upstream prior to th Color Finale 2 effect. Color Finale 2 will make a “best guess” calculation and convert the clip into the color space defined for the library and project. Select Assume Log when a clip has been recorded in a log color space and you don’t know which camera or type of log space was used. For example, if you have an ARRI ALEXA camera clip recorded in Log-C and have applied the default LogC-to-Rec709 LUT in the inspector, then the Color Finale 2 color profile should be set to Assume Video. This option should also be used when you have already added a LUT to the clip in the information section of the Final Cut Pro inspector. Assume Video is the Color Finale 2 default and means that the filter will not change the existing color profile of the clip. 709 for SDR (standard dynamic range) content. ![]() Select Assume Video for clips that are already in a color space which matches the library and project color space values. Set the initial Color Profile for the clip using one of the following settings: Assume Video ![]()
0 Comments
Leave a Reply. |